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This Jewish extremist Hollywood production reaches new heights of hypocrisy by seeking to use our natural concern about the destruction of our heritage brought on by the legal and illegal immigration of millions of non-European invaders (which these same Jews secretly support) to advance their murderous agenda in the Mideast.
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I will show that this film not only stresses the preservation of the Greek primal source of European heritage, it purposely and falsely portrays the Iranians as Black Africans, mulattoes, mass murderers, and homosexual perverts, in a not so subtle attempt to appeal to underlying European–American racial and moral sentiments. Secondly, practically every Hollywood film dealing with racial issues portrays European concern about our heritage and freedom as the epitome of evil. First, Jewish extremists, as my book Jewish Supremacism thoroughly documents, have been the driving force behind the ongoing destruction of the heritage and freedom of European mankind. The use of White racial sentiment by the Jewish extremists to support a strike against Iran is quite amazing for two reasons. I will demonstrate in this article that the movie 300 surprisingly appeals directly to the racial loyalties of European-Americans in order to motivate support for this planned war for Israel. Does the United States really want to usher in an era of the use of nuclear weapons as possible in regional and international conflicts? If America would dare to use nuclear weapons in a tactical strike, America’s action would say to every nuclear capable nation that their use is no longer unthinkable, but now justifiable. It seeks hatred against Iran so that we will sacrifice ourselves and perhaps hundreds of thousands of Iranians in a new, cataclysmic war in the Middle East. Zionists ensconced in all kinds of media are busily orchestrating public opinion supporting a murderous policy perhaps even the hitherto unthinkable use of nuclear weapons against a nation that today poses no threat to the United States. Of the four producers of 300, Bernie Goldmann, Mark Canton, Jeffery Sliver and Gianni Nunnari, three are Israeli partisans at the thoroughly Jewish, Warner Brothers Studios. Iran, of course, is the modern name of the ancient nation depicted in 300: Persia. However, I believe that this well-crafted film has elements purposefully fomenting current day hatred and war against Iran. The heroic events depicted in the film 300 cannot help but stir the blood of the modern young men and women of the West. He pointed out that all of the major superheroes of the 1940s were created by Jews during a time of anti-Semitic persecution: “Superman was a golem.” … Miller nonetheless issued a call to his fellow authors: “Let’s revive our tradition and get back on the job.” quoted from Publisher’s Weekly “They have made it plain they want to exterminate the Jews, to bring down the West, to achieve world dominion,” Miller warned, likening Islamic extremists to the Nazis in the 1930s. The harsh truth is that we’re facing an enemy that keeps telling us what they are and what they want,” declared Miller, adding that people refuse to believe it. Their comics were a response to the times they lived, something that comics have largely gotten away from and need to return if they’re going to be a significant voice in modern culture. To a certain extent, they were creating a golem, a hero they needed to exist. There is a reason, Miller says, that most of the great comics heroes were created by Jewish people that lived through the early part of the century. Here are his revealing words:Ĭomics can affect culture by allowing the world in, reflecting what we see. Frank Miller, the author of 300, speaks in an interview about the Jewish creation of a golem who strikes down the enemies of Zion. A close examination of this blockbuster movie affords a perfect look into how Jewish extremists use race to manipulate Americans to support war for Israel, war against every true American interest.
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However, there is a dark and sinister side to the film. It chronicles the inspiring, sacrificial courage of one of the greatest heroes in the history of the West, Spartan King Leonidas in his epic battle at Thermopylae against the Persian invasion of Greece in 480 BC. One of the most watched movies of 2007 is the film 300. The face of the “Persian” envoy to Leonidas, the first “Persian” seen in the movie 300.